Movies And Music
Saturday, January 28th, 2012A meditation on how actually skilled filmmakers are capable of remove a song from its unique connotation and make it more particular to a movie.
There was a time when the lyrical proclamationthat all of the leaves are brown and the sky is gray would immediately lead to some “California Dreamin.’” That is now not the case.
California Dreamin’ of the Chungking Categorical
Listening to that someone goes for a stroll on a winter’s day now conjures a hyper-modern Hong Kong, where nature’s leaves are few and much between and shades of the sky are permanently dyed by town’s neon lights.
The thanks go to Wong Kar-Wai for giving the world Chungking Express, wherein the lovable Faye Wong dances her heart away to that The Mamas and the Papas song. It takes a certifiable cinematic grasp to take a music completely identifiable with one time and place, and transport its identification to another locale in a completely totally different era.
Tarantino Soundtracks
Quentin Tarantino has made a career of it. Dick Dale’s career was revived when Tarantino used “Miserlou” because the title song to Pulp Fiction. The film, as well as Reservoir Canines, brought a pantheon of musical acts from the historic scrap heap again to a degree of prominence.
Who else can do it? Countless movies and their musical accompaniment are capable of transporting the audience to a specific time and place.
Basic Film Soundtracks
It is troublesome to hearken to Aerosmith’s “Sweet Emotion” with out immediately eager about the opening credits to Richard Linklater’s Dazed and Confused. However in this instance, it doesn’t actually count. The track, and the rest of the songs on the soundtrack, are supposed to transport you to a time and place consistent with the original song.
So too are all of the songs on the Forrest Gump soundtrack and on the soundtracks of nearly each Vietnam Struggle movie ever made.
Authentic Movie Scores and Songs
Unique music doesn’t rely either. The theme songs to James Bond, Indiana Jones, and Star Wars determine solely with their movie franchises; there isn’t a alternate universe where the songs also exist.
Nor do pop songs that had been made popular by a particular movie count. “I Will At all times Love You” will always be identifiable with The Bodyguard and the early Nineteen Nineties, and possibly nothing more. Likewise, “Don’t You (Forget About Me)” is acknowledged as a 1980s anthem from John Hughes’ The Breakfast Club.
Hughes was in a position to breathe new life into “Danke Shoen” by having Matthew Broderick parade by means of Chicago lip-synching to the tune during Ferris Bueller’s Day Off, but this form of transportation of the mind from one place to another could be very difficult.
So who else can do it? Who can take a music completely identifiable to 1 time and place and make it even more particular to the time and place of a film?
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